Wednesday, December 2, 2015

Game of Thrones & Nietzsche's Logic of Power (NO SPOILER)


« Game of Thrones », a TV series phenomenon no one needs to introduce anymore, may well have constituted in itself, for the millions of viewers it gathers, an interesting introduction to Nietzsche’s theories. 
Indeed, however surprising this might appear, through blood, dead bodies, rapes and blood again, one can still easily perceive and understand many mechanisms of the logic of Power the philosopher describes in his works. I will try to make this obvious to you. 

Inside the books George R. R. Martin has written lives a great number of characters. Every one of them is driven by specific ambitions and desires, precisely described as Martin switches his narrative point of view at every chapter of A Song of Ice and Fire, making the reader move with him from one character’s mind to another.

However, one may quickly notice a common point between all the destinies presented : for every one to reach his/her objectives implies to clash with the other. In a cruel imaginary medieval world where impunity is a dominant rule, safety and pleasure can only be found through power. Thus, throughout the entire plot, Stark, Lannister, Baratheon and Targaryen try to fight their way to the throne of the realm, with the purpose of securing their family and beloved. 


The different families, their sigils and mottos 
What is Nietzsche's vision on the logic of power ?

Nietzsche, on the other hand, focuses in an important part of his work on the analysis of the logic of power at work in our society, and its link with the notion of moral.
For Nietzsche, moral does not derive from altruist actions that society would have forgotten were enacted with selflessness, as his contemporary thinkers (Rée, Bentham, Spencer) claim. To him, an « altruist » side could not be subject of a memory-lapse, because it is inherent to the altruism that the self-sacrifice related to it has a positive effect for the beneficiary. As a consequence, the origin of the History of moral has to be found elsewhere.

This is this reflexion that brings Nietzsche to think of moral as the result of a building process having precise and rational roots : 
In former times, as power was unequally divided, a small amount of noble people ruled over the overwhelming number of slaves at their feet. Back then, moral did not exist in its contemporary form, as the nobles, free of any opposition, created a set of values in which they stood high, having power being considered as « good », while lacking power and the qualities attached to it is seen as « bad ». 
Such a structural unequal sharing in power and its consequences embody the trigger of a particular state of mind in the slaves’ mind : Ressentiment. This feeling is a strong hatred grown on the fertile soil of the pain they go through. Setting aside the notions of « strong » and « weak », and driven by their ressentiment, they imagine a world in which their pain is not pointless, and will be rewarded. In this world they create,  it is no longer the rule of power that is at work (the distinction between « strong » and « weak »), but rather a distinction between « good » and « evil ».
This fantasy would have remained one if not for the entry of a third actor in the « game of thrones » : the second sons. In a world where primogeniture is the dominant habit, these boys have been set aside from power after having tasted it, and are reduced to the role of the priests. However, they are full of envy, ready to make constant efforts in order to obtain what they closely missed. 
To do so, priests, basing themselves on the world created by the slaves’ Ressentiment, established that one is to be considered free of his/her actions, and that he/she will be judged according to what his/her choice was. From now on, the adjective « good » is, according to the priests, to be applied to actions being taken in favor of those who suffer. To match with this new set of values, they introduce the notion of « pure/impure », spiritually being able to go beyond the « good » and « bad » favored by the nobles. The consequences of these modifications are the priests taking control over every single action of the masters. Whereas before, they did not doubt the legitimacy of the oppression they were inflicting on the weak, they then dare not fully make use of their strength, afraid of being categorized by the priests as « impure ».
In the end, according to Nietzsche, the Ascetic Ideal established by these practices is a turning point of the History of Moral and explains the subsidiaries developments towards the contemporary notion of moral, as well as a fundamental notion for the study.


How is this theory related to the events told in A Song of Ice and Fire ?

As presented above, the characters depicted are eager to fulfill always-increasing power needs. To do so, they do not hesitate to use a large panel of cunning strategies. This lust for strength and authority goes as far as some characters even trying to seize the influence held by the « Church » or the religious authority in place. Concretely, the powerful royal family in place goes beyond the limits applied by the religious authorities in town. For these characters making the best out of any opportunity they meet from the beginning of the novel, this a very wrong move, that brings the entire people against them and reveal that individual power may be overshadowed by the multiplicity of weaknesses. 
As a consequence, Game of Thrones delivers an interesting insight on the bond religion and slaves have come to develop : religious moral, even in a tyrannic political system were nobles pay not much attention to the priestly mode of valuation, embodies in the slaves’ spirits the last barrier against the entire breakdown of resistance against the strong. Somehow, religious precepts Nietzsche think of as ways for second sons to claim their due helped maintaining a certain order in societies were nothing else was able to prevent the masters from completely enslaving the weak.
How powerful they might have been, Game of Thrones nobles transgressing the Ascetic ideal are brutally thrown into Nietzsche's logic : the moral established by the priests allows for a control of the powerful by the weak. 

Do you agree with the arguments presented ? Are you familiar with any other illustration of Nietzsche theory ? I would like to read whatever reactions you may have to this post and would gladly answer to them.



4 comments:

  1. Awesome! Really well-made post and very cool too (because of GoT)!

    I really agree with this vision even if at first, I considered that Game of Thrones was more like a political science's lesson than a philosophical one. That's sure that the logic of power established in GoT like that with individuals stronger than other. they settled there vision of the world and decided what was good, according to their preference. And their superiority is really embodied in many symbols. These symbols are tools to impress the "slaves" (in our case the serfs) : a impressive symbol in the emblem (a giant wolf, a lion, a giant calamar, a dragon, I don't understand what the Tyrell wanted to do with a flower but anyway you get it), a slogan claiming their values (honor, family, duty ; fire and blood ; winter is coming, even if I guess this one is for the chill...) a castle for many. However, I see the theory of "the second son" in a much larger dimension. At the level of the whole society. Because the griefs of the second sons, with blood ties, are not so big inside the family, I see them illustrated in a larger perspective.
    I explain : the religion, through some of its priest, tries in the series to reach the power but the very principle with Nietzsche's priests is that they come from the class of dominant. In the series, they come for most of them (the leaders especially) from the folk. The very poor people are still to be considered as slaves without ambition to get out of their condition. But these second class' characters that grew with (Bealish) or succeeded to reach the nobles (Melissandre) are representative of the priests. And they use their very plotting power to influence nobles on the basis of what is moral or what is not. But their goal is the same, to replace their "big brother".
    But the treatment of the "metaphysics" and its end is also interesting. I will probably need to develop it with details from the series but I don't want to spoil too, so it'd be succinct. Illustration of the human's freeing from oppression, through metaphysical traditions is also to be observed at some events in the series. It's difficult to fight against the weight of tradition, the characters experience it in the series. But the will to encourage the development of life-affirmative values are here! Instead of kill-anybody-bothering-you-affirmative values that we can see around the royal family...

    That was an original point of view of yours and I will look at GoT differently now!

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    1. Hi Max !

      I was really interested by you input on the "second sons" theory : taking it literally made some very interesting elements come up. You transformed it into the "second hand" theory : the way Ressentiment can grow inside anyone not so far from power and how it can drive him/her until making him/her come closer and closer to power. The "cunning procedures" Nietzsche spoke of appeared to me as very linked to the power strategies developed between the characters of GoT.
      In the end, isn't simply Game of Thrones a series about the access to power of the frustrated ? :)

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  2. Hi Pierre,
    Thanks for your great article. It was interesting for me and it could open my mind to think something that I have never though before.
    Game of thrones for me it is marked by the fact the heroes have terrible deaths, while the good is frequently unrewarded. It seems that winners write the history books and determine the morals. For me “Game of Thrones” adopts this idea: Ned Stark may have been good, but he was not powerful enough.
    I think “Game of Thrones” is shocking because repeatedly good people die, and bad people appear to succeed. Even the magical forces seem essentially amoral. Yet amidst the Nietzschean realities of Westeros, participants still speak in moral terms.
    Yet goodness cannot be so easily banished, not even from a mythical kingdom where power is the ultimate arbiter of right. Even in these kingdoms, where power is seemingly all that matters, we cannot banish the might of morals.

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    1. Hi Amanda !

      I think the point you make is essential. the notion of moral in the GoT universe is really torn between different conceptions. In general, every single characters tries to establish a system of values that would legitimate his/her actions, even if this is synonymous with bizarre transmutations.
      However, I think we can globally synthesize it to the two main types Nietzsche established : Ned Stark is good according to the priest's moral, the one deriving from Ressentiment, but is not so good according to the moral deriving from the nobles (SPOILER) : he has not been able to protect himself and his family from the power strategies of others, and seems to have lost the game of thrones.

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