If you only see in Matrix a simple blockbuster combining chases and
fight scenes, you are mistaken! If the trilogy did not
invent anything, it has the great merit, through an entertainment film, to address
the theories of Hegel, Plato, Descartes and many other philosophers...
One of the great
philosophical concepts in Matrix is the importance of choice, one that
engages the individual as well as mankind. It is impossible not to choose,
refusing to choose is itself a choice, that of not making choices. The essence
of human life is the cause and the consequence of his choices. As explained
above, the matrix must take into account the free will of man so that he could
accept the illusion that holds it in slavery. While ultimately there is really
no choice, since the odds are contained in a fatal train that triggers a new
cycle, however the architect is interested in letting Neo create a bit of a
mess by testing the limits of the equations governing the virtual world. In
short, we must let people express themselves, but in a well-partitioned space.
The
existentialists believe that the human is finally free and stand aside of
determinism or of sociological holism. If the matrix is predetermined by
functional software, the architect realized that a utopian society, product of
scientific calculations leading to harmony, putting humans on an equal footing,
does not work because it encloses the individual in a straitjacket where it cannot
choose; at least in this imperfect world he can have the illusion of choice.
Finally, we had to recreate a realistic universe, inegalitarian, competitive,
violent, product of human choices. In other words, if the matrix was a video
game, say the first version was a platform game, like Super Mario, where he had
to go from point A to point B by crushing the mushrooms, the new version is an
open world, where every action generates a result producing other possibilities...
From order must be born disorder and vice versa.
Phenomenology,
which would be the source of existentialism calls to grasp the essence of an
object to know its true nature. So we must admit all points of view imaginable
to design an object in its fullness, and then extract the essence. So there is
a direct parallel with the allegory of the cave*, existentialism attempts to
get rid of a pragmatic vision, it is necessary to distance yourself to
determine the infinity of possible and choose calmly.
* Allegory of the cavern:
From the first moments of the film, the allegory of
Plato comes to mind. This is also the main theme of the first episode, the men
chained to the Matrix, his back to reality with a false perception of the real
and true knowledge. Thus, the cave represents the first reading of the human
being; he perceives things as he sees them, without ever questioning them. This
is what Morpheus explains to Neo, making a rough reference to Alice in
Wonderland. Awakened people often reject the truth when it is exposed to them;
some are not ready to hear this version of things. This is also why the agents
can so easily be embodied in any individual, as they cling to their perception
of reality as to its shell rock, nothing else seems conceivable to them. For
Plato, therefore access to knowledge required a hard effort, an initiatory
journey fraught with pitfalls to decipher the truth. Indeed habits usually create
certainties that make us blind and prevent any critical thinking on the
environment in which we operate. The ascent is then used to move the material
world, the intelligible world.
Descartes pushed the metaphor a little further,
speaking of the denial of reality. It stipulates that to remain in a material
world is much more comfortable than question your habits and the reassuring
forms surrounding us. From a contemporary perspective, Matrix questions us
about the ubiquity of the image, the monopoly of the society of the spectacle,
the digital age, which interfered in every corner of our modern world and which
amend inexorably our perception of reality and the influence we can have in it,
just as was the religion.
Freedom in existentialism is to admit that there
is neither moral nor dogma or absolute truth. The truth will be built for each,
through their choices and paths. Determinism does not exist for Sartre, because
what is truth is that the individual defines as truth (like Kierkegaard). Thus the
Oracle never really responds to Neo when the latter questioned him and the
architect lets Neo choose between condemning humanity and starting the reload
opting for the status quo.
Thus humans are
destined to serve the machines forever. But if we reverse the problem, we see
that without humans, machines cannot function. This refers us directly to the
master-slave dialectic of Hegel's Phenomenology of Spirit.
Zion adviser
also admits in a conversation with Neo that without humans there would be no
machines and no human without machines to operate Zion. In Zion, the machines
are run by humans, outside humans are the ones alienated to the machines.
The dialectic
of Hegel insinuated that the slave, transforming nature, accesses the object as
it transforms himself through work, while the master, winning directly the
property, remains passive and thus outside the world. By performing the task
instead of the master, the slave dominates the master, because without the
slave, the master doesn’t know how to get the desired object, so he’s unable to
transform nature. Humans and machines in Matrix are each other’s masters and
slaves. The Matrix offers to the human illusion of control, he is the slave but
believes himself to be the master, however, if the machine didn’t work so that
humans evolved in a context that makes it so happy and productive, then it cannot
exist, so it is also dominated by its requirements and therefore his slaves,
then entering a relationship of equality. The master becomes the slave of the
slave.
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