BECKETT’S
SPIRIT THROUGH WAITING FOR GODOT
Samuel Beckett has a pessimistic view of man’s existence.
According to him, there is no purpose at
all in man’s life, which is fully absurd. Indeed, after two world wars, in
a world without religion, without belief, man
is lost. That’s the reason why people wonder about a big essential question
:
WHAT IS THE PURPOSE
OF HUMAN EXISTENCE ?
Beckett is at his best to show the utter helplessness of human beings
with Waiting for Godot.
Beckett belongs to the category
of those writers who are considered the members of the “Theatre of the Absurd”
(with Ionesco, Genet …). His characters are the complete product of the
philosophy of Absurdism. “The Absurd”
refers to the conflict between the human
tendency to seek value and meaning in life and the human inability to find any.
Beckett describes a meaningless universe.
All the efforts by human beings to find the meaning of life have dashed to the
ground. This is exactly what Beckett’s characters have been doing and trying to
convey throughout their lives. Agony of
existence is the core problem of all Beckett’s characters and the ruthless life compels them to bear this
agony and to admit this fact that there is no
option for them.
Two tramps and
their waiting
There is no adventure, no
chaos, no catastrophe, no social or political upheaval in the play. Two tramps,
Estragon and Vladimir, on a deserted country road are waiting for someone,
named Godot. Both are the true portrait of every human being on the earth, who bear the agonies of existence. They are
constrained to bear the agonies because they have born and they have to pay for
it at any cost. They are waiting for
Godot, who they think will be the source of their salvation, but he never comes.
While waiting for him, how they pass their time, the play deals with it, so
waiting is a recurring motif of the play.
We All Wait !
Every one of us experiences
‘waiting’ in his/her life : at the airport, at the railway station, in a bank, etc. We are
familiar with the pangs of waiting and we do different things to pass our time.
These two tramps do the same. They talk, they walk, they play different games,
they abuse and rebuke each other, even they
try to attempt suicide to free themselves from the agonies of life but this
remains just an abortive attempt.
Gradual
Dilapidation of Characters
In Waiting for Godot, the gradual dilapidation of every character
can be felt through different forms of depravity
(mental, physical, spiritual). Estragon and Vladimir deprived of any physical
grace and dignity, mentally disturbed
are unable to recognize Pozzo and Lucky, when they appear again in the play.
Now Pozzo is blind, the rope connects the two as before but the rope is much
shorter now, enables Pozzo to follow Lucky more easily. Pozzo and Lucky
physically disgusted are the symbol of
master and slave. Here Beckett presents slavery in its worst form. Despite being in a worst form, Lucky the servant is still with his cruel master
Pozzo. Every character is at the mercy of circumstances and is compelled to be alive.
The Concept of
Nihilism
The concept of Nihilism
is all pervading in Waiting for Godot.
Nihilism refers to the rejection of all
religious and moral principles. Nihilism promotes the state of believing in
nothing, or of having no allegiances and no purposes. Beckett has deliberately constructed a play where not
only his characters, but also his audience wait
for something that never happens. Just like Estragon and Vladimir, the
audience waits during the play for some major event. All of this waiting for nothing, talking about nothing, and doing nothing contributes to a pervasive atmosphere of nihilism in the
play.
In consequence, Beckets tries to convey us that our
existences are hopelessly unfathomable. According to him, human life has no
meaning and no purpose. Realizing this, humans will create distractions and
diversions to provide the purpose and meaning that is inherently lacking in
their lives.
Let us sing with Godot !!
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