THE SICKNESS
INTO KAFKA’S VISION OF EXISTENCE: REQUIEM FOR AN ARTICLE
If you look
forward a detailed interpretation of Soren Kierkegaard thinking presented in
his book “the despair of existence”, or a philosophical analysis of the novel
“metamorphosis” by Franz Kafka , or even more a requiem, you are not at right
place. Some will
deal with it far way better than me. Yet I would like to offer few reflexions
about these three works. A movie with junkies, a man metamorphosing in a giant
cockroach, and even a Danish philosopher writing 69 pages about the “sickness
unto death”. At the first sight, they are so different, but looking more
carefully they appeared really linked.
Thus I
would like to prove why they raise essential issues concerned by
existentialism.
First of
all, the Darren’s (Aronofsky) movie, ‘’Requiem for a dream’’ and the “Metamorphosis”
by Kafka, they both treat the notion of loneliness. But more precisely what
kind of loneliness? That’s not a loving solitude but the meaning of human
loneliness. On the one
hand, Gregor Samsa getting up a morning to go to work and discovering that he
has became a giant pest.
And on the
other hand, we have Sara Goldfarb, Harry’s mother who is widow for years. They are
linked by an unexpected event that prevent them from giving a meaning to their
existence. Certainly, Mrs Goldfarb want to get on television and Gregor have to
work in order to pay debts, but for the instant put it on the back burner. In
the first time, Gregor doesn’t a choice,
and he becomes a monstrous beast, who can’t say anything like a human.
Moreover, Harry’s mother lost her husband while her soon hasn’t time to visit
his mother. He is busy… Consequently, they have to suffer terrible shocks,
which have some after-effects. And by the way, they can’t give voice to their
despairs. Finally, it’s maybe the most introspective approach for them, even if
we ask: is it really a way to live their lives ?
In a second
time, they fix it objectives. Find a solution to communicate and survive with
his family, and going to participate in her favourites TV show. Nevertheless,
Kierkegaard’s reflexion is contradicting this aspect. He wrote p.59 “A prison
who has no will at all is not a self, but the more will he has; the more
self-consciousness he has also”. This is
why consciousness is decisive. Even if they haven’t goal in life,
self-consciousness isn’t here. Because they have will to achieve something,
self-consciousness is appearing.
From the
moment that it will be right, we must admit new key element. In fact, I
would like to show how new links appears. If they do cope with loneliness,
these are leading to violence dimension. Despair beat down against them.
Gregor’s sister and Gregor’s father are devastated by his transformation.
Besides, his father becomes much violent. On the other side, during Darren’s
Film, violence appear all the time, like the link down show us. But, what are
kinds of consequences ? Maybe is it theory of Kierkegaard : The Sickness unto
Death. And this form of despair alienate Mrs Goldfard, who becomes crazy. She
imagines a ‘’Fridge-Attack’’ on her kitchen. On a certain way it is this form
of despair that put an end to their existences.
Even if some other details can be
shows, I find interesting to compare these works, who have much in common than
in the beginning. However, in the absence of
finish by something happy, I leave you with these words to consider from
Albert Camus (in French): “L’habitude du désespoir est plus terrible que le
désespoir lui-même.”
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