This is the poem in Korean. I admit that this is meaningless but attach it for you to see original because my translation is awful! |
Examining the meaning of existence through <Metamorphosis>
Once I have read
a poem, which has the same title, “The Sickness unto
Death” with the work of Kierkegaard. The poem starts
like this.
“Despite
Descartes saying, ‘I think therefore I am’, there is a woman who is thinking and then falling asleep,
repeating death and live even several times a day.”
This sentence
makes us reflect on the language of Descartes, which had opened the era filled
with the Modernity using reason, rationality and enlightenment. He has got
existence subjected to reason and this process is based on skepticism about our
objective world. This is the perspective not toward inner side of us, but
toward outer one. This tradition had formed the mainstream of philosophy on
Europe during the period of modernity. However, long after, Kierkegaard
appeared, arguing the point of view which is totally different from Descartes’ one. Thoroughly from his own experience, he set the attitude toward
life as ‘Der Einzelne’ by
reflection on himself and pursued the subjective truth, existential attitude.
It seems obvious that his arguing that the subjective truth by oneself saves
one’s life is totally located opposite to Descartes’ arguing.
From now on, I
would like to inspect Kafka’s <Metamorphosis>
closely as a great medium to ponder over explanation of existence in both
Descartes’ and Kierkegaard’s
ways. The main character, Gregor is an ordinary person who manages to earn his
living day by day, but one day he realized and discovered himself being
transformed into a bug. From then on, He keeps thinking over and over about
many things which surrounds his life. From his discovering himself as a bug to
his literal dying, is his existence proved, if any, in which way, or failed to
prove?
In other words,
the questions which engaged me are like these things: The way of Descartes
stipulating existence –the most famous and popular saying, I guess- and the way
of Kierkegaard are setting definitely different direction philosophically and
interpreting <Metamorphosis> by each way, what could we bring about as an
answer to existence? And to conclude, does a bug-human, Gregor, exist in a
meaningful way? (And obviously, as the goal of literature is universal, there
is an important premise that Gregor and we, the readers, are not much of
different. Kafka is such a brilliant writer at extending narrative to humans in
general through some rare settings.)
Arthur Pita's piece of dance, <Metamorphosis>. He makes an awesome visualization in which the black creature, despair, draws Gregor into a new life as an insect. |
Is Gregor alive as existence in <Metamorphosis>: Descartes and Kierkegaard
The novel starts off with Gregor realizing himself becoming a bug. Generally the bug reminds us of unpleasant and blackish thing or short lifespan and these are strong allegories of Gregor’s life. Does his life become corrupt only through metamorphosis which suddenly came to him one day? Not at all. It is just not until then that he realizes his whole life is much more of a kind of life similar to bug, not humane. In that point, becoming a bug does not change his life, but just show how his life has been by visualization. This form of life starts with dystopia, the other name of modern. More concretely, there exists the mechanical world run continuously at the hidden side of the modern times. This makes people face crisis of subjective identity. Subjectivity, or existence, is all about human, therefore he is identified with the bug symbolizing the complete opposite of being human.
First of all,
the Descartes’ perspective of existence is supposed to
fail in Gregor’s narrative. Descartes claims that the
awareness of external world, that is “Objective Truth” followed by Hegel later guarantee our life. Nevertheless Gregor can
not exist as himself even though he still has ability to think in the way
reason works. Rather, the view dominated by reason and efficiency denies his
existence and situates him in an insect. In the extension of reason and
modernity inevitably is human alienation, and there the one could not exist
unless he chooses to be a component of the system. Since Gregor is marginalized
from labor, now he is denied and excluded from worlds. At least, Gregor turning
into the insect is no more recognized as Gregor. In short, Gregor cannot exist
as himself in the perspective starting with Descartes.
On the other
hand, If we take viewpoint of Kierkegaard, that alters the case. Now Gregor is
the man who are finally prepared, becoming the insect, to face the subjective
truth. Paradoxically It is the strange imagery of inner anxiety which is
projecting toward conscious that makes him not degenerated but advance toward
freedom which he never got before, in the way that he becomes to reject
everyday life, especially the unconscious labor. Before, he had been escaping
from freedom full of anxiety and dread, just conforming to the given way of
life. This man who was willing to deceive himself in his life is now facing the
truth and finally meeting the authentic self by despair. Gregor is now to
cultivate his self in anxiety consisting of freedom. Therefore the process of
Gregor’s metamorphosis is the huge allegory for
attitude we also have to take to become ‘Der Einzelne’ searching for the existence we had lost, in Kierkegaard’s way.
Vital or destructive?
Nevertheless
Kierkegaard leaves an important doubt challenged by reality: Does our way to
Only One mean denial of social nature of human and becoming public? If so, does
the conclusion of the way indicate literal death as Gregor? Even if
<Metamorphosis> does not suggest simply there need regain of relationship
as naive solution, Kierkegaard’s conviction putting
stress on rejection to become public is only to bring about another destructive
alienation. It is strange that the methodology of life brings about the death–at
least literal, physical death-. Is his lesson meaningful to us, ‘sociable animal’? Then how do we make it
possible to apply his theory to our life?
And below is a kind of trailers for Arthur Pita's piece, <Metamorphosis>. You'll love them.
No comments:
Post a Comment